Want to watch the credits on Netflix? Here’s how.
We love Netflix. And we love end credits. But sometimes after an emotionally poignant finale, we...
Why Film has not been Disrupted Yet, Part 1
The film industry has resisted disruption so far. Either Big Media is bulletproof, or the real changes...
2k is not 2048×1152
Dear post houses: we need to talk. You're stepping on my picture. 1152p is not a thing.
Give your spam folder a workout.
Our monthly newsletter about disruption in filmmaking, and the occasional typography nerd-out.
7 Ways to Make Your Own Luck in the Film Industry
Step One: consider a different career. No, really.
What Doug Trumbull taught me about End Titles
Star fields and end titles have something in common: tiny points of light moving at 24p through a sea of...
The Art of Showbiz
From subculture to superculture with Dennis Hopper, Johnny Mnemonic, and the Pictures Generation
Off the Shelf: A Pictorial History of Horror Films
Knowing the rules of horror will keep you alive
Frame Guides: Madeline’s Madeline
Unraveling the knots of feminine experience
The Illusion of Choice
Sometimes too many choices is the same as no choice at all
The Tragedy of Images
Guns, Hollywood, and the mystique of violence
Ephemera and the Public Domain
Keeping orphaned films alive and present in the age of intellectual property
Videotaping the Revolution
What do we see when we point the camera at ourselves?
How Not to Break Into Writing About Film
First, build yourself a time machine
The Rules of the Game: Film Festival Submissions
Avoid wasting time, effort, and a lot of money
Myths of Gender and Screen Culture: Part 5
The Myth of Equality